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At the end of the episode, as Dunk puts together his team for the trial of seven against Aerion and his band of not-so-merry men, A Knight of the Seven Kingdoms delivers one of its biggest surprises: as the hedge knight pleads with the crowd of nobles for a true knight to emerge, none other than Prince Baelor Targaryen, heir to the Iron Throne, comes forward to join his cause. Yes, even against his own brother and two nephews. And as if that wasn’t cool enough, Ramin Djawadi’s iconic Game of Thrones theme song begins to soar, and this time it isn’t interrupted.
A Knight Of The Seven Kingdoms Has Earned Its Game Of Thrones Moment

This is unquestionably A Knight of the Seven Kingdoms‘ biggest hero moment so far. From the end of Dunk’s impassioned speech, to Baelor’s emergence, to the theme song ending, it’s the sequence that feels the most like Game of Thrones. There’s a real sense of weight to the sequence, the kind of heft and, well, epicness that we haven’t seen with this show before now, but do associate with its predecessor. It’s a step into the Thrones world, and so the use of the familiar music is well earned, and all the better for the fakeout earlier in the season.
This stands in contrast to House of the Dragon, which uses the same song for its opening credits. Rather than directly ape its parent show, A Knight of the Seven Kingdoms has dared to be different, and that’s also created a sense of want and anticipation, making this a moment of incredible payoff. It’s also part of a notable tonal shift, as things take a darker turn in the series. The fun of the tourney is over, and now the stakes are life and death, which, again, the song illustrates perfectly.









