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This is not a cheap shot at Superman, by any means, because I liked the first DCU movie a lot. It was almost everything I wanted, but the accusations of it being a little… busy, let’s say, did ring true. And watching Peacemaker Season 2, you get to see what might have been if Gunn had the same amount of time to flesh out his Superman story. And make no mistake, this is very much a James Gunn joint, even though he’s only marked director on three of the eight episodes. It’s just not exactly the same one who made Superman.
Peacemaker Is Definitely the Grown-Up Side of the DCU

Peacemaker Season 1 generated a lot of conversation thanks to the creative team — and Gunn at its head, of course — embracing far more outrageous subject matter than the Snyderverse had dared to; than any DC property had dared to, actually. Or Marvel for that matter. Pot shots were taken at DC superhero royalty (including scatalogical accusations), there was near-nudity, drugs, swearing, and the unthinkable claim that Wookiees have teeth in their buttholes, and yet it still managed to have heart and depth. Peacemaker Season 2 pushes all of the naughty stuff, right from the start of Episode 1, and uses the multiverse to tell a disarmingly deep story.
That shouldn’t be too much of a surprise, though, because while Gunn handled the god-like majesty of Superman, he’s proved repeatedly that he has a way with broken, seemingly irredeemable characters. If you thought making you care about Rocket Raccoon was impressive, it’s nothing compared to how compelling Gunn makes Cena’s redemption tour as Peacemaker. Episode 1 features a sequence that belongs on The Boys as a backdrop to Chris’s existential crisis, and the juxtaposition of full-frontal nudity and heartfelt message storytelling works perversely well. It also features another exquisite C-bomb (and as a Brit, I can confirm Harcourt is right about the meaning).









