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10) Lucifer

If one thought that the Devil and network television didn’t mix, they were thoroughly proven wrong when Lucifer premiered on FOX back in 2016. Lucifer‘s pilot perfectly lifted The Sandman character from the DC comics and made him the center of his own world. Furthermore, Tom Ellis is irresistible in the lead role as the so-called Prince of Darkness, his ability to switch from effortlessly charming to a damaged, resentful son at a moment’s notice. We were already craving more after the first episode of the fantastical procedural.
9) Once Upon a Time

Fairytales have only been reimagined about a million times, which why in 2011 Once Upon a Time’s pilot felt so special. The show grounded itself in a compelling story about lost family, while also pulling off its parallel timelines and effects-heavy nature with aplomb. From the second Emma Swan and Henry Mills in Storybrooke we were riveted to the screen.
8) What We Do in the Shadows

Vampires are another monster we’ve seen countless interpretations of across media, and when What We Do in the Shadows premiered in 2019, expectations were high since the show’s source material, the movie of the same name, had become a cult classic with recognizable faces which included Jermaine Clement and Taika Waititi. However, the series’ cast were all so perfectly suited to their roles and incredibly funny that any comparisons to the movie and doubts the show wouldn’t work as a sitcom disappeared.
7) Good Omens

Michael Sheen and David Tennant. Need we say more? The pair of lauded British actors made an odd couple for the ages in the pilot of Good Omens back in 2019, seemingly born to play their respective parts. It was Sheen and Tenant’s onscreen banter, along with the fresh, imaginative tone surrounding the show’s apocalyptic stakes that had us hooked from there on out.
6) Kaos

Greek mythology is yet another well-trodden subgenre of fantasy, but the creativity and specificity of Charlie Covell’s Kaos was unlike anything we’d ever seen before. The Kaos pilot doesn’t tell one too much as it barrels through introducing its ensemble cast, yet the world felt so well-thought out and lived-in that we were happily along for the ride, one the Covell brilliantly connected by season’s end. Plus, Jeff Goldblum as Zeus is such inspired casting we’re still cursing its premature cancellation.













