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Ironically, that feature materialized as the 12th biggest movie of 1995 at the domestic box office. When you cost as much as Kevin Costner’s infamous Waterworld, though, outgrossing fellow 1995 movies like Braveheart, Get Shorty, and The Bridges of Madison County wasn’t anywhere near enough to turn a profit.
What Went Wrong With Waterworld?

The most obvious answer for what went wrong with Waterworld is you don’t shoot movies either on the ocean or in giant tanks full of water. Going this route for costly blockbusters just seems to produce infinitely more trouble than it’s worth. Some of the priciest movies in history, namely the third and fourth Pirates of the Caribbean movies and Avatar: The Way of Water, incurred tremendous costs by telling stories involving the open seas. Unless you’ve got James Cameron’s box office track record, scoring profitability with a waterbound blockbuster is almost impossible.
1995’s Waterworld was another example of this trend, with its gargantuan $175-million costs. While today that would just be the catering budget for Avengers: Doomsday, it was by far the biggest budget ever for a movie at the time. For comparison’s sake, a year earlier, True Lies became the first movie in history to have a $100+-million budget (its reported budget was $100 million). Adjusted for inflation, Waterworld cost $355 million, a higher budget than Avatar: The Way of Water or Mission: Impossible – The Final Reckoning.
What on Earth happened to boost the budget so high? Shooting the feature in either natural elements or massive water tanks meant that Waterworld was at the mercy of the elements. That ensured pricey set pieces, not to mention countless extras, were constantly delayed and jeopardized by uncontrollable elements. Shooting going comically over schedule, and difficulties between Costner and director Kevin Reynolds, further exacerbated costs. It was a nightmare production that ensured Waterworld sailed towards budgetary waters unheard of for big blockbusters at the time.









