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Speaking with Collider, Levy praised the work of Star Wars: Starfighter director of photography Claudio Miranda, who previously collaborated with Joseph Kosinski on blockbuster hits Top Gun: Maverick and F1. “He likes to design camera platforms that don’t exist. He likes to think about lenses and format in ways that are innovative.ย And so the rigor of his innovative thinking is a huge gift to a Star Wars movie that wants to break some new ground visually and be a visceral kinetic ride, which is the other thing he brings,” Levy said. “Claudio, in bothย Top Gun: Maverickย andย F1ย showed this. His sense of how to put people in the action in a visceral way, not just in an observational way, but a subjective and participatory way, in that cockpit, in that driver’s seat. He does it like no one else does it, and I wanted that superpower forย Starfighter.”
What Shawn Levy’s Comments Mean for Star Wars: Starfighter

Dating back to the Death Star trench run in Star Wars: A New Hope, thrilling action has been a staple of the franchise. It sounds like Starfighter could bring about the next stage of evolution on that front. Top Gun: Maverick and F1 were renowned for their immersive set pieces that found unique ways to put audiences right in the middle of the action. For both productions, there was an emphasis on doing as much practically as possible, adding a tangible element to the already impressive spectacle. We’ve already seen that Levy is shooting on real locations for Starfighter, so recruiting Miranda is part of his larger vision for the project.
Starfighter plot details are being kept under wraps for the time being, but considering the title, it stands reason to believe that there could be a space battle or two. Seeing a Star Wars aerial dog fight in the style of Top Gun: Maverick is an exciting proposition; it would be Levy’s way of elevating an established franchise trope to the next level. Rather than look to replicate the classic aesthetic, he’s looking for ways to do things a little differently โ giving today’s audiences the same invigorating rush that the trench run did back then. Miranda could also bring his expertise from F1 to depict a speeder chase.








