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“The problem with the trunks is that they look kind of silly,” Corenswet said. “You can try to make them not silly, this is what James was trying to do. James was, I think, very pro-trunks in theory, but was struggling to find a way to not make them look silly. His first tactic was to find a reason for them, a utility for them. But, he struck out there. And so, my contribution was to say, ‘What if the point is that they look a little silly?’ And the reason that Superman wants to look a little silly is because he doesn’t need to look cool. He doesn’t want to look cool. He wants to be Clark Kent. He wants to be the normal, bumbling guy who’s just barely fitting in at work.
“There’s a piece of that with Superman as well, which is like, you’ve seen me catch falling buildings and blow up whatever with my laser vision and fight these amazing, super-powered foes. I don’t want you to think I’m not approachable. I don’t want you to think that you couldn’t come up to me and ask for directions or ask for help. For a kid, ask for help with his homework … my cat’s stuck in the tree. He wants to do all of that, and the trunks are just a way of saying, ‘I’m not too cool. I don’t take myself too seriously. I might be very powerful, but come say hi.’”
Different live-action adaptations of Superman have taken different approaches to the trunks issue. Christopher Reeve’s costume featured the bright red runks, and Brandon Routh’s Superman followed suit (Superman Returns is set in the same continuity as the Reeve films, serving as a sequel to Superman II). Zack Snyder went in another direction in the DC Extended Universe, eschewing the trunks for Henry Cavill’s Superman. Cavill’s costume had a more grounded, tactile feel to it.








