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National Treasure is a great example of a feature that may not get everything right but it nonetheless deserves credit for its collective strengths. And it has plenty of them. This flick delivers a rip-roaring good time complete with a fast-paced narrative and a standout showing from Nicolas Cage in the lead role. Despite all that, National Treasure remains largely maligned by film scholars. How maligned is the film? We’re glad you asked. National Treasure holds a Rotten Tomatoes critical approval rating of just 46% with more than 175 reviews tallied.
Despite a Low Rotten Tomatoes Score, National Treasure Is a Feat of Escapist Entertainment

Some critics got hung up on the film’s historical inaccuracies, while others accused the flick of being derivative or completely improbable. Those criticisms aren’t completely unfounded. For instance, screenwriters Jim Kouf, Cormac Wibberley, and Marianne Wibberley take certain liberties with the script and even make a few claims within the narrative that aren’t quite correct. However, this is a film about stealing the Declaration of Independence to view the invisible treasure map on the back. The picture is an unapologetic work of fiction that melds fantasy with historical context and should therefore be entitled to a certain amount of leeway.
As for accusations that National Treasure is derivative, well, it isn’t wholly original. It’s clear that the narrative takes ample inspiration from the Indiana Jones films. With that said, we live in an era of remakes, reboots, and sequels. Wholly original ideas are scarce at this point due to the sheer amount of content that’s been created thus far. Even still, National Treasure carves out a path that’s different enough from some of its inspirations to stand on its own two feet.
The complaint that the film is too unrealistic probably comes down to personal preference. Yes, National Treasure is utterly improbable. But it is a film designed to help the viewer escape their reality. And in that conceit, the flick succeeds remarkably. It spirits away those of us willing to suspend our disbelief to a fantastical place where nothing is what it seems. That approach may not translate to fine art, but there’s a place for films like this.









