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“And they just decided that they wanted to go a different direction with the fight, I think [Daniel Espinosa] thought it was a bit more dramatic underground. So we had found these pictures of some of these under construction, subway tunnels that actually exist in New York. And some that have just been sitting there and never finished,” the VFX supervisor said. “And there was these just gigantic caverns with these four tunnels done at the end that each could fit the size of a subway through them. So we saw some of these pictures and Daniel really liked the idea of them sort of just punching down through the ground as they fight on this construction building. And finishing the fight where he can take advantage of gathering up all these bats and defeat Milo in a more dramatic sort of fashion than we had in the outdoors.”
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