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Admittedly, there are also some really excellent ’80s horror movies that don’t feel like they would work today. For instance, Sleepaway Camp, the ending of which would not play at all these days but was and remains hugely effective as a 1983 film. But these films that follow, they could be pretty great as a modern day horror flick.
1) The Island

There is no better type of movie to try to remake than 1980’s The Island. Specifically, it had a great concept that was not executed well, so there’s really no where to go but up. It was directed by Michael Ritchie, who was certainly talented, but really only excelled with comedic materiel, e.g. The Candidate, The Bad News Bears, Fletch, and The Golden Child. He knew how to pace stuff like that, but not so much an adaptation of a Peter Benchley (Jaws) action-thriller-horror work.
Michael Caine starred in three horror thrillers in a row, all three of which were ambitious but none of which quite landed as well as they could have. The Island was first, then Brian De Palma’s Dressed to Kill, then Oliver Stone’s The Hand. Here he plays Blair Maynard, a British-born American journalist and Navy vet who wants to learn about the Bermuda Triangle. He and his son travel there and, while fishing, are capture by a group of pirates and held hostage.
Rent The Island on Amazon Video.
2) An American Werewolf in London

There are two entries on this list where the original is so highly regarded, it helps explain why no one has tried to touch it. One of them is John Landis’ An American Werewolf in London. Then again, while it hasn’t received a remake, it’s not as if Hollywood has found it truly untouchable, as 16 years later it received a very loose sequel, An American Werewolf in Paris.
Perhaps An American Werewolf in Paris is the true reason why no one has attempted to remake London. That sequel was so critically maligned it may have put the concept on ice. But it’s possible, as long as a few key factors are covered. For one, the iconic transformation sequence would be kept in no matter what, but they would do well to avoid CGI for that. They may just want to avoid CGI for the werewolf altogether. Two, the North York Moors opening sequence is integral to making the film as a whole work as a horror film instead of an outright comedy. It establishes the tension and the rest of the movie builds off that. Three, the humorous yet frightening dream sequences should remain present, but this is where the filmmakers could get really creative and make the new take on the narrative their own. Lastly, while this is a werewolf movie, it’s just as much a love story, so they need to cast two leads who can replicate the chemistry shared by David Naughton and Jenny Agutter.
Stream An American Werewolf in London on Prime Video.
3) The Funhouse

Tobe Hooper’s slasher movie The Funhouse has some pretty interesting turns in its plot and a very memorable mood. The mood is definitely something that should be retained in a remake.
The villain, however, could remain mostly the same or be entirely altered. The trepidation comes from the fact the killer is intellectually disabled, which works for Jason Voorhees because it’s barely received a mention throughout 12 films, but it’s very much obvious here. The Funhouse would be tricky in spots to make work for a modern audience, but it’s not an impossible task. Not to mention, carnivals are a great horror film location, and outside the odd Hell Fest here or there, it’s an underutilized locale.
Stream The Funhouse on Prime Video.
4) Scanners

David Cronenberg’s Scanners is the other film on this list that has such a high-quality original it might make studios nervous to try and replicate that quality. In fact, Hollywood seems to have avoided Cronenberg’s filmography outright. Sure, there was The Dead Zone TV series, but the only one who has remade a Cronenberg film was Cronenberg.
That likely wouldn’t be the case here, so what is most important is that a director is enlisted who can similarly balance science fiction and horror. A remake was announced way back in 2007, but it never went anywhere.
Stream Scanners on HBO Max.
5) Christine

One of the best Stephen King movies of the ’80s, Christine is a movie that works because you believe the characters. And you believe the characters because of the work of the cast, particularly Keith Gordon.
A Christine remake needs to have someone who can play the tragic character of Arnie Cunningham as well as Keith Gordon. Car chase sequences aren’t hard to replicate, and if anything the scene of the Plymouth rebuilding itself is easier to do now, but Arnie is a factor that absolutely must be nailed.
Rent Christine on Amazon Video.













