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Believe it or not, Wan’s breakout hit sits at a lackluster Rotten Tomatoes critical approval rating of just 50%. Bear in mind that an abysmal score isn’t an indication of the film’s quality or staying power – not by a long shot. Here’s why: the flick released in 2004, a time when the Internet was still in its infancy and film criticism was far less accessible, with fewer proverbial cooks in the kitchen. Many critics of the time seemingly looked down on horror and almost appeared to go out of their way to find fault with genre fare.
Saw Is A Trailblazer That’s Better Than Its Critical Consensus

Critics who didn’t give the film a fair chance missed out on a harrowing effort that makes the most of a relatively low budget and an incredibly grounded premise. This stripped-back feature follows Dr. Lawrence Gordon (Cary Elwes) and Adam Stanheight (Leigh Whannell) as they wake up chained to their surroundings in a grimy bathroom. The pair ultimately realizes that they have been abducted by the Jigsaw Killer (Tobin Bell), an unpleasant fellow keen to engage them in a series of sadistic challenges in exchange for the chance to escape confinement … at a cost.
The film is plenty entertaining on the surface, offering up a series of twists and turns alongside thrills and chills at regular intervals. Anyone who has seen the picture likely remembers just how unexpected and impressive the final revelation is. However, Saw also deserves a certain amount of credit for exploring heavy themes like the sense of complacency many of us feel regarding our own existence. We sometimes get so bogged down by the day-to-day that we forget what a gift life really is. Establishing a heavy baseline like that makes the Jigsaw Killer stand out as an antagonist with something to say.








