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One place the current crop of horror films is pushing boundaries is in the aura of dread and tension that oozes from scene after scene. While it’d be easy to just focus this piece on jump scares, the idea of what is “scariest” in modern films pushes to enhance them beyond expectations. To subvert what could be seen as a cheap scare, modern films seem to hold shots longer, push in closer, and subvert the audience’s expectations. They give fans what they expect, followed closely by the unexpected.
Horror has always been hitting home runs, but the modern options seem to push for more and succeed with acclaim thanks to scenes like those compiled below. Just don’t assume we’re pushing these films as the best in the modern age. We’re also not trying to create a firm hierarchy between films. Horror contains multitudes, and there are fantastic examples from across all subgenres and styles. These are just five of the best that personally left us feeling the pressure in the theater and caught us off guard.
Spoilers ahead for some of the best horror in the past decade.
1) Hereditary – Final Sequence

There are quite a few frightening scenes throughout Hereditary that would propel it into “all-time great” territory. The first half of the film features horrors we could all face at some point in our lives, like the weight of losing a child or the dissolution of a family are out front in the beginning, with some hints at the demon cult bubbling through from under the surface.
But then the finale kicks off and the film shifts into horrifying overdrive. Cult members that we were introduced to at a support group now surround the Graham home in the shadows, sporting rictus smiles and naked bodies. It’s chilling and unnerving enough as is before Toni Collette crawls across the ceiling behind Alex Wolff’s Peter. He has just awoken to find his father burned to a crisp after being possessed at school earlier, leaving her in tatters as Collette strikes. After a sudden chase through the house, the action ends up in the attic and Collette’s beheading herself with piano wire before Peter jumps from the attic window and ends up possessed himself.
We’ll stop there because you really should just go watch the movie right now. There is still plenty yet to creep you out. Ari Aster almost tops it with Midsommar, but this one will always have a special place to me for the wave of surprise I felt in the theater.
2) Barbarian – Truth Revealed

Zach Cregger’s career wouldn’t scream horror if you only followed his comedy career with The Whitest Kids U’Know. But after 30 minutes with Barbarian, you might be asking what took him so long to try his hand with horror movies. The movie directs the misdirection for audiences across the opening thirty minutes, hiding the true nature of Bill Skarsgรฅrd’s Keith and implying a more sinister motivation. Georgina Campbell’s Tess almost flies against the tropes of a horror heroine, even opting to leave for a moment once Keith disappears into the basement. That’s where the real shock hits.
He appears out of the blackness, scared to death, urging Tess to run with him to safety. Then a nude, mutated woman makes her presence known and bashes Keith until his head is jelly. Cut to black. It doesn’t take long to be hooked, and it only gets better from there.
3) It Follows – Tall Man

The atmosphere and tone of It Follows are just the start with this modern classic from David Robert Mitchell. But the movie also carries plenty of shocking moments within, mainly due to the nature of the monster at the center of the movie. The killer entity that has cursed Jay can shapeshift into any person, is in constant pursuit of its victims, and only the victim can see it.
The latter demonstrates just how frightening the situation can be, proving that Jay is not even safe in her own home and surrounded by friends. The creature still follows her, no longer looking like an older woman. Instead, it now it looks like a giant eyeless man that confidently strides into the room behind an unsuspecting friend. Everybody is caught by surprise, including the audience, who likely assumed a safe haven exists. It does not.











