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WARNING: Spoilers below for 28 Years Later
Speaking with Eammon Jacobs for Business Insider, Boyle and Garland address Jack O’Connell’s introduction as adult Jimmy in the jarring final scene of 28 Years Later. We first meet the character when Jimmy is a child at the beginning of the film, when the infection has just started to spread across Britain. The young Jimmy witnesses the brutal deaths of his sisters and the rest of his family (including his father, a priest who believes this to be Judgement Day and gleefully welcomes death) but manages to escape the violent onslaught of the infected. Nearly three decades into Britain’s isolated dystopian existence, Jimmy has evolved into Sir Jimmy Crystal, a cult leader whose character was apparently inspired by the real-life British star and sexual predator Jimmy Savile.
As the BBC explained in its profile of Savile, he was a popular DJ and a huge media personality in the UK for decades, with a pervasive presence in British culture. He was best known for hosting the show Top of the Pops in the 1960s and was the presenter on Jim’ll Fix It from the 1970s to the 1990s, where children would write to the show and Savile would grant their wishes during each episode. A year after Savile’s death in 2011, hundreds of allegations came out that he was a prolific sexual abuser, mainly of children. As the BBC reported, Savile used his status and fame to target his victims for decades. It was later revealed that the BBC “missed opportunities to stop ‘monstrous’ abuse… because of a ‘culture of fear.’”
A big giveaway in 28 Years Later that Jimmy is meant to resemble Savile is the distinctive wardrobe he (and his followers, the Jimmies) sport: a blonde wig, colorful tracksuits, and gaudy jewelry, looking like a creepy Savile Halloween costume. As soon as you look up a photo of Savile, the similarities are undeniable. Obviously, having a real-life monster inspire such an important character in the movie was intentional on the filmmakers’ part. Boyle and Garland explain in the TikTok clip above that O’Connell’s Jimmy is partially linked to the ongoing trilogy’s crucial theme of memory and how that plays into the characters’ different ideas of shaping “better worlds.”
“The whole film โ and if we ever get to make it, the whole trilogy โ is in some ways about looking back and looking forwards, and the relationship between looking forwards to better worlds or attempting to make better worlds,” Garland said. “Or, trying to construct the world that you’re in on the basis of old worlds… The thing about looking back is how selective memory is and that it cherry picks and it has amnesia, and crucially it also misremembers. And we are living in a time right now which is absolutely dominated by a misremembered past.”
“It’s all kind of twisting in this partial remembrance, clinging onto things and then recreating them as an image for followers,” Boyle added.








