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What follows are films that don’t necessarily fall under either umbrella. Sure, some of these movies deserve to have their fanbase increased, but they’re not exactly the deepest cuts on the planet. However, to be included, they needed to be straightforward horror movies, or at least have the primary emphasis be on the horror genre, so nothing like Flatliners or Ghost, which have horror elements certainly but are not horror films.
We also left out franchise movies. Apologies to Child’s Play 2, Alien 3, The Exorcist III, Gremlins 2: The New Batch, the aforementioned Scream, etc. Which of these scary movies are you going to choose for tonight?
1) Arachnophobia

It’s surprising that the planned reboot of Arachnophobia didn’t pan out, because it’s not the type of ’90s movie that only really works in the ’90s. Like with flying and snakes, plenty of people are frightened (or at least creeped out) by spiders.
Executive produced by Steven Spielberg, produced by Kathleen Kennedy, and directed by Frank Marshall, Arachnophobia has the family focus one might expect from a movie that falls under the banner of the company those three created, Amblin Entertainment. Meaning it literally focuses on a family, but it also has an accessibility to all members of a viewing family, regardless of age. In other words, Arachnophobia is a terrific starter horror film for younger audience members, with a quick pace for a 110-minute movie and a few solid comedic beats (most of them courtesy of John Goodman).
2) Misery

There’s an argument to be made that Kathy Bates delivered the strongest performance in Stephen King adaptation history as Annie Wilkes in Rob Reiner’s Misery. But she’s not the only reason the movie works as well as it does.
For one, Reiner proved twice that he was a fantastic adapter of King material, with the first example being the breezy and heartfelt Stand by Me four years earlier. Furthermore, Misery is one of King’s stronger novels, with a nail-biting plot and genuine sense of building dread throughout. What works in the novel is successfully carried through to the movie.
3) Nightbreed

No one was better at adapting Clive Barker source material than the man himself. His directorial debut, Hellraiser, was one of the best horror films of the ’80s and remains a highly inventive classic to this day.
Then there’s Nightbreed, a film that was poorly marketed and edited to shreds. But even in that truncated cut, one could see hints of the brilliance within the full narrative. Fortunately, a director’s cut was released in 2014 (sometimes called Cabal, which was the title of the book), and it is well worth seeking out. Admittedly, Nightbreed will turn some viewers off with its bloody visuals and grim tone, but for those who can hop on the film’s loving-the-ostracized wavelength, it’s a treasure.
Stream Nightbreed on Prime Video.
4) Tales from the Darkside: The Movie

While the same year’s Two Evil Eyes is solid enough, Tales from the Darkside: The Movie is 1990’s best anthology horror film. It might even be the best anthology movie of the ’90s as a whole, which is quite impressive considering it came from a show that wasn’t so great, even if it was created by George A. Romero after Creepshow took off (it was basically Tales from the Crypt if that HBO show had seven dollars and a handful of acorns for a budget).
Including the wraparound story, there are four total sections in Tales from the Darkside: The Movie. And, while most wraparound stories are just kind of there, this one’s is great. It stars Blondie’s Deborah Harry as a witch living in a suburb who is preparing her next meal: Timmy (Matthew Lawrence from Mrs. Doubtfire). The three main segments, the first of which involves a mummy, Steve Buscemi, Julianne Moore, and Christian Slater. The second main segment is “Cat from Hell,” based on a Stephen King short story, and the final segment (which is also its best), involves the devastating result of a broken promise.
5) The People Under the Stairs

If there’s an undersung masterpiece of the late Wes Craven’s filmography, it is undoubtedly The People Under the Stairs. While it comes packing scares, it’s more an analysis of gentrification, racism, class warfare, greed, and incest. It covers a tone of bases, none of them pleasant.
We follow Brandon Adams’ (delivering terrific work for such a young actor) Poindexter “Fool” Williams, who tags along on a burglary and ends up being the sole survivor of the group, trapped in a super-fortified house owned by a deranged couple who just so happen to be brother and sister. They’re also homicidal, bigots, and have a bunch of emaciated people (barely) living behind their walls.













