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So, of the nine female superhero solo adventures, which one ranks the highest? Which ranks the lowest? Let’s find out.
9) Madame Web

If ever you need to see the textbook example of how to take $100 million dollars and turn that into something doesn’t have a single exciting moment, Madame Web is the choice. Worse yet, it takes a horrendous script and doesn’t even put it to screen well. There are editing and ADR mishaps abound.
This is a disjointed mess with a leading lady who looks like she knows she made a big mistake signing on whenever she has to cough out any of the movie’s ridiculous dialogue. Then there’s Tahar Rahim’s Ezekiel Sims, perhaps the least interesting villain in superhero movie history. One must give Madame Web this: it made Morbius look a little better in comparison. All this really amounts to is an especially dull babysitting movie.
Stream Madame Web on Disney+.
8) Catwoman

Why does Catwoman rank higher than Madame Web? Because at least it’s so bad it’s good.
Though, while Madame Web‘s Ezekiel is an impressively awful and bland villain, Catwoman‘s beauty product pusher Laurel Hedare (Sharon Stone) comes pretty close to matching him. The film is entirely skippable, and it’s odd that a chance to be a feminist movie instead wants to serve as a perpetual display of Halle Berry’s body, but it’s worth a curiosity watch. You can ask yourself why anyone thought it was a good idea to make a Catwoman movie and have her be absolutely nothing like the Catwoman of the source material. You won’t get an answer to that question, but you can ask yourself it.
7) Elektra

Elektra‘s biggest crime is being exceptionally dull. One of the few highlights of Daredevil (2003) was the chemistry between Elektra and the title character. And because we lose Elektra before film’s end, we feel as though we didn’t get to know her enough. But if Elektra serves as a testament to anything, it’s that sometimes what little we do get is enough.
The film is nearly as dull as Madame Web and lacks the ludicrous so bad it’s good charm of Catwoman, but it is still slightly easier to take seriously. It at least feels like those behind it were trying to make a good movie. But, at the end of the day, if you want more of Jennifer Garner’s Elektra, just watch Deadpool & Wolverine.
Stream Elektra on Disney+.
6) Supergirl (1984)

Melodramatic and cheap-looking, Supergirl was a pretty poor attempt at replicating the success of the Christopher Reeve movies. It’s far more Superman IV: The Quest for Peace than Superman or Superman II.
It’s not without its charms, though. Mostly, Helen Slater was a wonderful choice for the title character and Peter O’Toole was the only one who could make his laugh-riot dialogue at least somewhat palatable. Even still, the 2026 DCU movie has only a basement level bar to clear.
Stream Supergirl on HBO Max.
5) Wonder Woman 1984

Oh, how the mighty fell with Wonder Woman 1984. Even if this weren’t a COVID era release there is no chance it would have experience the repeat business and word of mouth buoying that made the original film such a hit.
While Patty Jenkins’ first movie found the right balance between heavy wartime heroics and playful, silly scenes, Wonder Woman 1984 perpetually walks both of those roads simultaneously. We watch a woman who feels neglected by the world become almost cartoonishly confident only to then become a fully cartoonish cheetah woman. We watch Pedro Pascal act as a costly wish-granting genie who no one thinks to arrest. 1984 is all just too ludicrous for its own good. Furthermore, while Gal Gadot and Chris Pine are still solid in their roles, it was a very questionable decision to bring the latter’s Steve Trevor back in the way they did. It’s understandable to want to repeat the two performers’ chemistry, but doing so by having its hero allow her love to take over the body of a living person? That’s not particularly heroic, it’s more just the theft of a soul.
Stream Wonder Woman 1984 on HBO Max.
4) Captain Marvel

The underrated The Marvels may not have counted because it’s an ensemble piece, but its predecessor does. And, overall, it’s an enjoyable enough love letter to the ’90s.
It’s nice to see Brie Larson having fun in a big budget adventure just as it’s incredibly enjoyable seeing her razor-sharp chemistry with Samuel L. Jackson (they previously worked together on Larson’s directorial debut, Unicorn Store, and it shows). But the real highlight of Captain Marvel is the engrossing story surrounding the false narrative pushed out about the Skrulls. It turns bland villains into some of the MCU’s most heartbreakingly tragic characters. Captain Marvel was right around the time the MCU started to reveal itself as a property losing its luster, but it has its upsides.
Stream Captain Marvel on Disney+.











