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However, we left off action thrillers, because that could be its own list. We were shooting for straightforward thrillers here, some erotic, some investigative, some with a toe in the criminal underworld, all of them excellent.
7) Misery

Even though she is one of the best actresses of all time, Kathy Bates has only won a single Academy Award (though she was subsequently nominated for Best Supporting Actress for Primary Colors, About Schmidt, and Richard Jewell). And what did she win that Academy Award for? A Stephen King adaptation, which is material that rarely gets such accolades.
It couldn’t have been any more well deserved, as Bates is a tour de force as Annie Wilkes. She fully makes us believe her tendency to be unhinged just as well as he makes her character’s love for the works of Paul Sheldon come across as organic. We empathize with Wilkes. She lives an isolated life and seems like someone who is content just wrapping up in a blanket and reading a book. Unfortunately, that appears to be all she has, right up until the author of her favorite series essentially lands on her front porch. From there it’s a sweat-inducing cat and mouse game where the mouse has his legs broken and is forced to remain in a single locale. We feel for the mouse because we’re scared of the cat, who seems like it’s on the verge of becoming a full-on Cujo.
6) Cape Fear

Managing to rival the quality of the 1962 original movie, Martin Scorsese’s Cape Fear is a well-constructed psychological chiller that makes you believe its villain’s dangerous obsession. That villain would be Max Cady, played with great relish by Robert De Niro (who is stepping into a role originally played by Robert Mitchum, who has a cameo in the remake, as does the original film’s other lead, Gregory Peck).
Scorsese does a wonderful job of gradually building tension in this film. Even if the viewer finds that De Niro’s performance skews into campy territory, they’re going to believe that his character is capable of killing a maid, dressing up as her, then garroting a private detective.
5) JFK

Are some of the theories posited in Oliver Stone’s JFK a bit on the outlandish side? Sure, but even when it does get to that level the movie really has a way of convincing you that its characters find the theories plausible.
This is essentially a courtroom movie if the case were entirely speculative. The real-world death of JFK raised a lot of questions that, as far as many are concerned, were never fully answered. Even if you don’t buy the theories that the movie puts forward you get to thinking about what may have happened. You’ll also find yourself believing that those behind the movie really loved the President just as you’ll find the performances by the cast (one of the most impressive in film history) compelling. This is especially true of Kevin Bacon, Tommy Lee Jones, Gary Oldman, Sissy Spacek, Donald Sutherland, and lead Kevin Costner.
4) Red Rock West

If you’ve seen Oliver Stone’s U Turn and thought it was a great concept with terrible execution, know that you should have given Red Rock West a rental instead. This film, which predates U Turn by four years, is essentially identical. A stranger comes to a small town and finds himself getting roped into a murder plot involving a beautiful but neglected wife.
The difference is that, in U Turn, the stranger in a small town is hired to kill the wife, whereas here he’s just someone who is mistaken for the hitman hired to kill the neglectful husband’s wife. The real hitman is played by Dennis Hopper, who has a blast playing bad. Red Rock West is the type of movie that ropes you into its world just as Nicolas Cage’s Michael Williams is roped into the plot.











