Movies

13 Years Ago Today, This Disastrous Sci-Fi Movie Was Supposed To Be a New Twilight Replacement

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As such, it should come as no surprise that studios soon tried to make Meyersโ€™ other bestselling book into their next massive franchise. Just as The Hunger Games movie were starting to take over the world and the Twilight saga was wrapping up, 2013โ€™s The Host brought Meyersโ€™ 2008 sci-fi novel of the same name to life onscreen. Starring Saoirse Ronan, Frances Fisher, and Diane Kruger, The Host told the story of Ronanโ€™s Melanie, a teen who must resist a parasitic alienโ€™s attempts to take over her mind while also trying to stop this alienโ€™s race from permanently taking over the planet.

The Host Was Stephanie Meyerโ€™s Second Major Franchise After The Twilight Saga

Saoirse Ronan's Melanie in The Host 2013

While this Invasion of the Body Snatchers-inspired premise had some potential, The Hostโ€™s reception was an outright disaster. Running a punishing 125 minutes, The Host earned only $63.3 million at the box office on a budget of $40 million, and critics hated the storyโ€™s blend of sci-fi, drama, romance, and thriller elements. Although YA dystopia movies like the Divergent series were huge hits around the same time, The Host was not quite able to cash in on this trend for numerous reasons.

For one thing, The Host might have been a sci-fi movie, but it wasnโ€™t technically a dystopian story. Unlike its competitors, The Maze Runner, Enderโ€™s Game, The Giver, and The Hunger Games, The Host was concerned with aliens taking over the planet rather than the internal divisions of a grim, corrupt future society. Furthermore, even viewed as an alien invasion story, The Host still left a lot to be desired. Possibly as a result of the dystopian genreโ€™s popularity, The Host started its story after much of humanity had been taken over by the parasitic alien โ€œSouls.โ€

The Hostโ€™s Failure Killed The Potential Twilight Replacement Franchise

This meant The Host was stacked with almost endless exposition from the beginning, which left the movie struggling to explain its labyrinthine backstory before the story could really get going. Wisely, the Twilight saga introduced vampires in the first movie, werewolves in the second, more sects of villainous vampires in the third, and a massive global coalition of these supernatural beings in the final outing. This allowed viewers to keep track of the franchiseโ€™s lore while also focusing on the love triangle that was the franchiseโ€™s true draw.

In contrast, the romance at the centre of The Hostโ€™s story couldnโ€™t help but feel like a baffling distraction from the movieโ€™s main storyline, mainly because the battle between humans and โ€œSoulsโ€ was already complicated enough without another duelling plot line. As a result, The Host failed to spawn a franchise that could replicate Twilightโ€™s success, despite early discussions of potential sequels before the movieโ€™s release.