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From the very first page, Batwoman establishes a major shakeup in the status quo for Kate, and the intrigue continues to build as the story moves between the present day and flashbacks. In terms of artwork, DaNi and Hollingworth are fantastic together, bringing a striking style and color palette to the series that feels distinct but also like it connects with Rucka and Williams III’s previous runs. The series hasn’t reached its high point yet, but it’s already off to a stellar start.
Rating: 4 out of 5
| PROS | CONS |
| Rucka Picks Up Where He Left Off, But With a Twist | Occasional Sequences Feel a Bit Muddy |
| DaNi and Hollingsworth’s Action Sequences Are Absolute Standouts | The Timeline of Events Can Be Hard to Pin Down |
| The Relationship Between Kate and Beth Is The Heart of the Story |
What On Earth Is Happening With Kate Kane?


A major element of the issue is the mystery around why Kate is in some sort of clinic or institution when this issue begins, but that is soon woven into a bigger mystery regarding the status of Kate’s sister Beth. Kate’s fought a lengthy battle to bring Beth back from her Alice persona, and that looks to be central to this next chapter of Batwoman, both in terms of their history and what appears to be a role reversal.
Over their time together, Beth has often been the one struggling internally regarding who she is, who she was, and who she wants to be. This time around, Kate seems to be the one attempting to sort through those challenges, and the issue plays with time through flashbacks that aren’t quite clear on where in the story they take place. It all keeps you on your toes and constantly shifts as the issue plays out, and as things become clearer towards the end, there are suddenly even more major questions to be answered moving forward.









