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Uncanny X-Men has been amazing, and a big reason for that is Gail Simone channeling the greats. “From the Ashes” is all about regression; X-Men group editor Tom Brevoort is steering the X-Men back to the mansion and doing so by mining the X-Men’s past for ideas. Uncanny X-Men has sidestepped this, unlike MacKay’s X-Men which is “From the Rehashes” central. Simone isn’t copying any story from the past, instead channeling the spirit of past X-Men greats like Chris Claremont. Simone litters each issue with plot points that run in the background, and this issue is example of that, taking a seed she planted in last year’s Free Comic Book Day Uncanny issue โ the mutant waitress Uva and Jubilee saving her from bigots โ and letting it blossom in this issue. As she does that, she also introduces an important idea to the X-Men’s tenure in New Orleans, while also giving readers a taste of Deadpool (and Outlaw, who Simone created 23 years ago) goodness. This is a text book one and done.
As a Jubilee fan, I’ve felt she’s been the least used character in this book so far. Simone showed that she had a great handle on Jubilee in the FCBD book, but she’s played a background role so far. This book gives us Jubilee fans exactly what we want, as Deadpool warns the X-Men that he was paid by the rich bigots that Jubilee took out to distract the X-Men while they took revenge on Uva. Jubilee takes it upon herself to solve that problem, and Simone shows the growth of the character wonderfully. Back in the day, Jubilee would have wanted help, but this time she wants to show what she can do on her own. Simone is showing that Jubilee is more than the teen mutant she once was, but a skilled hero who can take care of herself. This is X-Men storytelling at its finest, showing the growth of an iconic X-Man. On top of that, she also continues her amazing development of the Outliers. Simone is so good because she can say much with a few dialogue bubbles, and that’s on display here. “From the Ashes” is trying to capture a classic X-Men feel by copying the past. Simone is doing it by telling X-Men stories in an old school way. That’s what makes Uncanny so great.








