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Marvel proved this is in 2024. That was Wolverine’s 50th anniversary year and the publisher went all out to make it special for readers. We got “Sabretooth War” to end the Krakoa Era Wolverine (Vol. 7), the excellent Deadpool/Wolverine: WWIII, two Chris Claremont-written Wolverine projects (Wolverine: Madripoor Knights and Wolverine: Deep Cut) an origin miniseries (Life of Wolverine), and the Jonathan Hickman/Greg Capullo miniseries Wolverine: Revenge. The publisher rounded out the year with Wolverine (Vol. 8), and ended with the introduction of Ultimate Wolverine in Ultimate Universe: One Year In. Those last two are where the problems start, as they would be the place where Marvel fumbled a character that could be doing Batman numbers.
2025 Couldn’t Sustain Wolverine’s 2024 Success

Wolverine (Vol. 8)’s problems began from the start, and they didn’t get better in 2025. Writer Saladin Ahmed is obviously a fan of the character, but has failed completely at telling good stories with the character. It feels like a throwback for the character, but not in a good way. The sad part is all of the elements are there; Ahmed writes a pretty good Wolverine, as far as his individual voice goes, he gives readers action-packed stories, and so far the art by Martin Coccolo has been mostly good (you can tell when he’s close to deadline on issues, though), but the book just isn’t selling as well as before, nor is it actually connecting with Wolverine fans. Even the Wolverine subreddit is unhappy with it, which really says it all.
Meanwhile, Ultimate Wolverine has floundered after a promising start. Ultimate Wolverine is better than Wolverine, but it’s not by much honestly. This version of the character is following the same path that Wolverine has walked in numerous comics, being used as an assassin by the bad guys, fighting his mental programming, and then basically becoming the same kind of hero he is in the 616 universe. Writer Chris Condon has been playing it extremely safe with the character, and that has become a problem with most readers. While the art is fantastic (Alessandro Cappuccio is the book’s main artist, with Derek Lins and Domenico Carbone), the book is disappointing a lot of fans.









