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DC’s New 52 failed miserably after starting out well. However, there was one place in the New 52 where fans could go and always get a good story: Batman (Vol. 2), from Scott Snyder and Greg Capullo (with fill-in stories from James Tynion IV and Jock). The two of them tackled the Joker in “Death in the Family”, teasing something greater in the wings and we got that from “Endgame”. This story is the culmination of the Joker plots introduced at the New 52, and seemed like it was taking him in an all-new direction. However, the end of the era killed this idea, and relegated us to more years of the same kinds of Joker stories we always got.
“Endgame” Felt Like It Was Taking Joker Into a More Horror-Oriented Direction

So, to understand the direction the story was going to take the Joker, you have to understand what came before. In Detective Comics (Vol. 2) #1, the book revealed that the Joker had his face peeled off, and it was taken to the Gotham City Police Department. “Death in the Family” would see an even more formidable and unhinged Joker take it back, staple it to his face, and attack the Bat-Family, soloing all of them before trying to murder them. He’d lose and disappear, which led into “Endgame”.
That story started with the villain taking control of the Justice League with his Joker toxin and sending them at Batman, and things get stranger from there. To being with, his face is fine. The Caped Crusader finds evidence that his longtime enemy may just be the latest incarnation of a pale-faced killer that had been menacing the city for centuries. It was revealed that there was a river of dynosium under the city, which healed and resurrected anyone who went in it, like Lazarus Pit juice. Batman and Joker killed each other and fell in, coming out without their memories, leading to “Superheavy”, which introduced Jim Gordon as mecha Batman and Mr. Bloom.









